happy st. patrick's day


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boots 500AF - part 1

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Much displeased am I to report that my nostalgia project isn’t going as smoothly as I expected. Why is it that in a mostly plastic camera, one of the only metallic parts turned out to be the least durable? The source of my said displeasure is a thin little strip of metal. Thus the story goes. Camera number 3 finally. I was excited about this one, as it was my first ‘good’ camera. Branded ‘Boots 500AF’, it has a 34mm f4.3 autofocus (hence the ‘AF’) lens. Come to think of it, both the 34mm (as opposed to 35mm) and f4.3 (rather than f4) are quite obscure values for a film point and shoot. I have no way of telling, but I assume the ‘500’ in the name denotes the maximum shutter speed of 1/500 the camera can achieve, but that’s pure speculation on my part. It has an auto flash, and the lens does a faux zoom action when turned on. Very cool indeed. I read somewhere that it was a rebranding of some Japanese camera, but again, I have found no evidence of this. Oh how...
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olympus 35 rd

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“Is that a Leica you’re wielding like a sword?” uttered the street snapper as I walked past him one chilled out afternoon in east London.  “I beg your pardon? oh this? It’s an Oly”.  He was then immediately less impressed and apparently more understanding of my nonchalant attitude to the camera.   You will occasionally see me holding my camera by the neck strap while walking, leaving it free to swing back and forth.  The gentleman used the wrong medieval weapon metaphor of course - the correct one would be a ball and chain.  He could also be forgiven for mistaking it for a Leica.  I’d by then pimped the thing up with a Leica Leitz style vented hood, and the self timer lever had snapped off in such a way that it left a Leica looking ‘red dot’ in the correct place. The Olympus 35 RD has been referred to elsewhere as the ‘RC on steroids’.  That’s basically accurate.  The lens on this thing is simply magnificent.  The aperture ope...
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praktica bx20

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Up until the camera showed up in my life, I had only been using rangefinders and point-and-shoot cameras.  I had gotten used to the parallax error compensation ‘slightly to the left, slightly up’ movement during composition.   I had also given up on all on-camera metering and usually shoot full manual mode, relying most of the time on Sunny-16.  That’s great of course, if all you’re doing is street or travel photography outdoors when you are mostly shooting at distances at which parallax errors don’t matter much, or the minimum focal distance don’t ever come in to play, and you have predictable good light. Like anyone else, I occasionally get the unexplainable urge to take a photo of my feet, or my coffee.  This urge is impossible to resist.  There’s nothing more photographed than own feet and cups of coffee.  If you ever wondered why this is, there is your answer, once and for all – it is a natural urge like thirst or hunger. Ba...
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